Pairs also naturally engage each of the two people involved. In a larger group, an individual may lie low, phone it in. But nobody can hide in a pair.
It’s going to take some time to truly accept the significance of pairs in creative life, in part because so many partners, if they do their job well, remain hidden to the outside world. Most Vera Nabokovs never get acknowledged. Partnership is also obscured when the two people have distinct public identities. C.S. Lewis and J.R.R. Tolkien didn’t “collaborate” in the traditional sense, but, as a scholar of their work, Diana Pavlac Glyer, has shown, the influence of each on the other was critical to the work of both.
The pair is the primary creative unit — not just because pairs produce such a staggering amount of work but also because they help us to grasp the concept of dialectical exchange. At its heart, the creative process itself is about a push and pull between two entities, two cultures or traditions, or two people, or even a single person and the voice inside her head. Indeed, thinking itself is a kind of download of dialogue between ourselves and others. And when we listen to creative people describe breakthrough moments that occur when they are alone, they often mention the sensation of having a conversation in their own minds.
This phenomenon is so uncanny that the writer Elizabeth Gilbert has proposed that we return to the myth of the muses to help characterize it. That doesn’t mean there literally are “fairies who follow people around rubbing fairy juice on their projects and stuff,” Ms. Gilbert has said. But the core experience described by the muse-creator interaction — that of one entity helping to inspire another — is almost always true.
This raises vital questions. What is the optimal balance between social immersion and creative solitude? Why does interpersonal conflict so often coincide with innovation? Looking at pairs allows us to grapple with these questions, which are as basic to the human experience as the push and pull of love itself. As a culture, we’ve long been preoccupied with romance. But we should also take seriously something just as important, but long overlooked — creative intimacy.
- More Here from Joshua Wolf Shenk author of forthcoming book Powers of Two: Finding the Essence of Innovation in Creative Pairs
It’s going to take some time to truly accept the significance of pairs in creative life, in part because so many partners, if they do their job well, remain hidden to the outside world. Most Vera Nabokovs never get acknowledged. Partnership is also obscured when the two people have distinct public identities. C.S. Lewis and J.R.R. Tolkien didn’t “collaborate” in the traditional sense, but, as a scholar of their work, Diana Pavlac Glyer, has shown, the influence of each on the other was critical to the work of both.
The pair is the primary creative unit — not just because pairs produce such a staggering amount of work but also because they help us to grasp the concept of dialectical exchange. At its heart, the creative process itself is about a push and pull between two entities, two cultures or traditions, or two people, or even a single person and the voice inside her head. Indeed, thinking itself is a kind of download of dialogue between ourselves and others. And when we listen to creative people describe breakthrough moments that occur when they are alone, they often mention the sensation of having a conversation in their own minds.
This phenomenon is so uncanny that the writer Elizabeth Gilbert has proposed that we return to the myth of the muses to help characterize it. That doesn’t mean there literally are “fairies who follow people around rubbing fairy juice on their projects and stuff,” Ms. Gilbert has said. But the core experience described by the muse-creator interaction — that of one entity helping to inspire another — is almost always true.
This raises vital questions. What is the optimal balance between social immersion and creative solitude? Why does interpersonal conflict so often coincide with innovation? Looking at pairs allows us to grapple with these questions, which are as basic to the human experience as the push and pull of love itself. As a culture, we’ve long been preoccupied with romance. But we should also take seriously something just as important, but long overlooked — creative intimacy.
- More Here from Joshua Wolf Shenk author of forthcoming book Powers of Two: Finding the Essence of Innovation in Creative Pairs
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