You need your space, and that ‘room of one’s own,’ as Virginia Woolf put it. That room is also your time, your space, your silence—that has to be sacred. I need to close the door to my office when I finish for the day, and no one should get in. I have the idea in my mind that the story is an entity that lives in that room, with the characters, the emotions that I have been putting together. And when I come back the next day, I open the door; it’s waiting for me, intact. I don’t want anybody to go in and vacuum, or use my computer. That would kill me if somebody used my computer!
When I finally close the computer for the day, I look at my desk and put things in piles, and I usually have a candle on, because for me the candle reminds me that I am in the process of writing—not because there’s anything magic about it. And then I blow out my candle—that ends the day. And I look around to see that everything is organized, and I leave. I’m incredibly organized, because that’s part of my structure. When I walk into my office, it looks like a lab. It’s impeccable. And when I leave, it’s impeccable. I never leave a messed-up place, because when I come back, if everything is disorganized, I feel the story isn’t there for me.
Writing is pretty much like training for sports. You train and train and train to be able to play the game. And nobody cares how much you’ve trained. Nobody cares about the effort. What matters is the performance at the end, the result. Sometimes I research a whole book for one sentence, but that’s part of the job, part of the training, so that the performance will be impeccable. Nothing comes out of thin air. But once I have my hands on the keyboard, and I start creating, then things start to happen immediately, almost immediately. But I need to get to that point. I spend hours and hours alone and in silence. Without the silence and the structure, I wouldn’t be able to do it.
- David Epstein Interview with Isabel Allende