As fate would have it, I had just shown my students at Williams
College the grainy footage of Burden’s shooting when we learned of his
death in May. Curiously, the clip did not provoke them as it had their
predecessors in my classrooms in decades past. No one expressed any
palpable sense of shock or revulsion, let alone the idea that the proper
response to the violation of a taboo is honest outrage. One student
fretted about the legal liability of the shooter; another intelligently
placed the work in historical context and related it to anxiety over the
Vietnam War.
Placing things in context is what contemporary students do best. What they do not do is judge. Instead there was the same frozen polite reserve one observes in the faces of those attending an unfamiliar religious service—the expression that says, I have no say in this. This refusal to judge or take offense can be taken as a positive sign, suggesting tolerance and broadmindedness.
But there is a broadmindedness so roomy that it is indistinguishable from indifference, and it is lethal. For while the fine arts can survive a hostile or ignorant public, or even a fanatically prudish one, they cannot long survive an indifferent one. And that is the nature of the present Western response to art, visual and otherwise: indifference.
- Mike Lewis
Placing things in context is what contemporary students do best. What they do not do is judge. Instead there was the same frozen polite reserve one observes in the faces of those attending an unfamiliar religious service—the expression that says, I have no say in this. This refusal to judge or take offense can be taken as a positive sign, suggesting tolerance and broadmindedness.
But there is a broadmindedness so roomy that it is indistinguishable from indifference, and it is lethal. For while the fine arts can survive a hostile or ignorant public, or even a fanatically prudish one, they cannot long survive an indifferent one. And that is the nature of the present Western response to art, visual and otherwise: indifference.
- Mike Lewis
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