Monday, October 8, 2012

Whatever Happened to Movies for Grownups?

The big picture (allowing for some exceptions) is this: The six major studios want to make three kinds of movies. They want to make blockbusters costing a hundred and fifty million dollars and up (with another fifty to a hundred million dollars spent on promotion)—that is, films that are based on comic books, video games, and young-adult novels. These movies mostly feature angry pixels contending in the dead air—action sequences of total physical abandonment and virtually total meaninglessness, in which nothing imprints itself on your memory except the experience of being excited. They want to make animated features for families, some of which—especially the ones from Pixar—are very good. And they want to make genre movies—thrillers, chick flicks, romantic comedies, weekend-debauch movies (female as well as male), horror movies. Movies that have a mostly assured audience.

The range of films made by the studios has shrunk—serious drama is virtually out of the question. A good, solid movie like Tony Gilroy’s “Michael Clayton” (2007), with George Clooney, wouldn’t have a shot at being made now. I suspect “The Social Network” got made only because Aaron Sorkin wrote the script. “Lawrence of Arabia,” from 1962, which is playing all over the county October 4th for one day on big screens, wouldn’t even be considered now.


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