- Show and Tell. Most people say, “Show, don’t tell,” but I stand by Show and Tell, because when writers put their work out into the world, they’re like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do.
- Don’t go searching for a subject, let your subject find you. You can’t rush inspiration.
- Write what you know. Bellow once said, “Fiction is the higher autobiography.” Listen to your heart. Ask your heart, Is it true? And if it is, let it be. Once the lawyers sign off, you’re good to go.
- Never use three words when one will do. Be concise. Don’t fall in love with the gentle trilling of your mellifluous sentences. Learn how to “kill your darlings,” as they say.
- Keep a dream diary.
- What isn’t said is as important as what is said. In many classic short stories, the real action occurs in the silences. Try to keep all the good stuff off the page.
- Writer’s block is a tool — use it. When asked why you haven’t produced anything lately, just say, “I’m blocked.” Since most people think that writing is some mystical process where characters “talk to you” and you can hear their voices in your head, being blocked is the perfect cover for when you just don’t feel like working.
- Is secret.
- Have adventures. Get out and see the world. It’s not going to kill you to butch it up a tad. Book passage on a tramp steamer. Rustle up some dysentery; it’s worth it for the fever dreams alone. Lose a kidney in a knife fight. You’ll be glad you did.
- Revise, revise, revise. I cannot stress this enough. Revision is when you do what you should have done the first time, but didn’t.
- There are no rules. If everyone jumped off a bridge, would you do it, too? No. There are no rules except the ones you learned during your Show and Tell days. Have fun. If they don’t want to be friends with you, they’re not worth being friends with. Most of all, just be yourself.
- More Here
Saturday, July 28, 2012
How To Write
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